By CRIA - Centro de Referência em Informação Ambiental
Luiza F. A. de Paula
Flora Brasiliensis: Vol. I, Part I, Fasc. See Urban Plate 20 (1906)CRIA - Centro de Referência em Informação Ambiental
Spix & Martius – Travels in Brazil
The history of Flora Brasiliensis begins with the great travels of Spix and Martius. After arriving in Rio de Janeiro in 1817, they began an epic journey that covered 10,000 km during a three-year period and passed through almost all the main types of vegetation in Brazil.
Flora Brasiliensis: Vol. I, Part I, Fasc. See Urban Plate 19 (1906)CRIA - Centro de Referência em Informação Ambiental
The mountains of Rio de Janeiro
Despite all the heterogeneity of environments they witnessed, it is noticeable that some landscapes were particular focuses for the naturalists, such as the mountains of Rio de Janeiro. They arrived there and were dazzled by the local biodiversity.
Inselbergs
These mountains, known as inselbergs (German term: insel = island; berg = mountain), are isolated rocky formations that stand out among the most famous beaches, like Copacabana and Ipanema, and contribute to the enchantment of the "marvelous city".
The vegetation of the Sugarloaf
Emblematic examples are the Sugarloaf, Pedra da Gávea, Dois Irmãos hills, and Corcovado. And of course, the naturalists did not overlook the distinctive vegetation that grew on these mountains.
Bromeliads of the Atlantic Forest and typical of these mountains were highlighted in various lithographs that form part of Flora Brasiliensis. Among these bromeliads that enchanted the travelers, many are endemic to the rocky formations of the city of Rio de Janeiro, meaning they do not occur anywhere else on the planet. For example, the species Pitcairnia albiflos occurs only on the Sugarloaf and other nearby mountains.
Endemic bromeliad
Another endemic bromeliad of these rocky formations is the Tillandsia araujei...
Rock-climbing bromeliads
...a climbing species that grows directly on the smooth surface of the rock, without the need for soil or fissures. Species that live in this way were recently named hyperepilithics (hyper = very; epi = on top; lithics = stone).
However, during their travels in Brazil, the botanist Martius had eyes for both epilithic plants, which grow on rock, and epiphytic plants, which grow on the trunk of tree species (epi = on top; phytic = plant). An example is the Tillandsia brachyphylla, a species that grows on the trees of the forests surrounding the mountains.
Vol. I, Part I, Fasc. See Urban Plate 24 (1906)CRIA - Centro de Referência em Informação Ambiental
Epiphytic bromeliads on Corcovado
This plate shows examples of epiphytic bromeliads growing in the forest that surrounds Corcovado. Epiphytism is the name of this tenant relationship between two plants, in which one plant lives on the other.
Tree-climbing bromeliads
It is worth noting that these plants are not parasites but use the trees to support themselves and grow, gradually climbing the trees.
Flora Brasiliensis: Vol. I, Part I, Fasc. See Urban Plate 59 (1906)CRIA - Centro de Referência em Informação Ambiental
Serra dos Órgãos
The majestic Serra dos Órgãos, in the region of Petrópolis, Rio de Janeiro, was also recorded by the naturalists several times. The beauty of its mountains inspired artists and scientists of the time.
Vriesea crassa is a bromeliad that occurs on the tops of the Serra dos Órgãos, growing in association with the rock, and charms with its beautiful yellow flowers.
Flora Brasiliensis: Vol. I, Part I, Fasc. See Urban Plate 38 (1906)CRIA - Centro de Referência em Informação Ambiental
Serra da Estrela
The surroundings of the Serra dos Órgãos, formed by a dense and humid Atlantic Forest, was also depicted in Flora Brasiliensis. The image represents the forest protecting a stream in the Serra da Estrela.
Giant bromeliad
The highlight is a giant bromeliad growing on a rock along the stream.
Alcantarea imperialis, better known as imperial bromeliad, is an example of a giant bromeliad that occurs in this mountainous region of Rio de Janeiro. An interesting fact is that the flowers of this species open at night and are pollinated by bats.
Bromeliads in landscaping
Being very ornamental, the imperial bromeliad is widely cultivated in Brazilian landscaping. It has already been extensively illegally extracted from nature, but nowadays several nurseries propagate this species, which helps combat the collection of individual specimens from their natural habitat.
Home for animals
Giant bromeliads have leaves that form a rosette with a tank-like appearance. Thus, a container that accumulates water is formed and serves as a home for various species of fauna, especially amphibians and insects.
Flora Brasiliensis: Vol. I, Part I, Fasc. See Urban Plate 30 (1906)CRIA - Centro de Referência em Informação Ambiental
Naturalist chat
In this illustration, the naturalists Spix and Martius rest in the surroundings of the Serra dos Órgãos, close to trees full of epiphytic bromeliads. Were they discussing how these bromeliads that grow by supporting themselves on trees survive?
Successful climbing
There are strategies for adaptation to this environment, with no soil and little water. For example, aerial roots that absorb water and nutrients, the presence of plant tissues that accumulate water, absorbent hairs and scales on the leaves. These help the bromeliads climb successfully.
Research and writing: Luiza F. A. de Paula (Federal University of Minas Gerais / CRIA)
Assembly: Luiza F. A. de Paula
Review: João Renato Stehmann (Federal University of Minas Gerais), Renato De Giovanni (CRIA)
References: Flora Brasiliensis (http://florabrasiliensis.cria.org.br/opus), Travels in Brazil (https://www2.senado.leg.br/bdsf/handle/id/573991)
Additional information: http://florabrasiliensis.cria.org.br/stories
Acknowledgments: All the authors of the photos and characters in the story
*Every effort has been made to credit the images, audio, and video and correctly recount the episodes narrated in the exhibitions. If you find errors and/or omissions, please email [email protected]
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